URBAN gospel sensation act Kingzkid has sparked what could become one of the biggest debates in Ghana’s gospel music space this year, asserting that traditional gospel musicians who once dismissed the urban movement as “unholy” are now adopting the very styles they previously condemned.
As a pioneer of the genre in Ghana, Kingzkid recalls a time when the movement faced significant pushback from established acts who felt the contemporary sound deviated from the core values of gospel music.
However, speaking with Graphic Showbiz on Monday, April 27, 2026, the No Doubt singer noted that the tide has turned.
Kingzkid was blunt about the evolution he has witnessed over the last decade. He believes urban gospel is finally being recognised for its true worth.
“In the beginning, traditional gospel artistes felt they were superior to us. But now, they are all mimicking our fashion and our sound. It’s like a precious stone on the ground; you can kick it aside until someone who understands its value picks it up.”
He noted that resistance is a natural reaction to innovation, particularly in an industry rooted in deep-seated tradition. However, he argued that no genre should remain static, as musical trends will inevitably influence even the most conservative circles. (Read Traditional gospel musicians now copying our style –Kingzkid
When asked why many urban gospel acts struggle to maintain long-term relevance in Ghana, Kingzkid pointed to a lack of endurance.
“I wouldn’t be too hard on those who quit. Great things take time and require a lot of sacrifice. Unfortunately, many people don’t have the patience it takes to wait out the dream or assignment, the confidence it takes to take the bull of purpose by its horns, and the consistency it takes to see any dream bloom. But I won’t lie, it’s hectic,” he said.
Kingzkid also weighed in on the perennial debate regarding whether Ghanaian award schemes give gospel music enough credit.
“Most award schemes are secular and backed by companies whose core businesses represent the very things gospel music preaches against,” he explained.
“Sidelining gospel music is often a business decision, and I understand that. But awards are just a by-product. Perhaps, this is our cue to focus on the real mission,” he said.
Urging his peers to prioritise spiritual impact over trophies, he said, “I always encourage gospel artistes not to be driven by recognition; those things are secondary”.
“The real calling is about staying true to your message and spreading the gospel with sincerity. When you focus on transforming lives, the recognition will eventually come, but the mission must always come first,” he advised.
Source:
www.graphic.com.gh