(Video) Why Afronitaa took back all dresses and shoes she bought for Abigail
Why Abigail A dramatic turn of events has unfolded in the mentorship saga between dancer Abigail Dromo and her mentor, Afronitaa. According to Abigail’s uncle and acting manager, Amos, Afronitaa has taken back all the gifts she purchased for Abigail, including dresses and shoes.
In a phone interview, Amos revealed that he handles Abigail’s affairs and had established contact with Afronitaa. When the issues between the two began, Afronitaa reclaimed all the items she had bought for Abigail, which are still in her possession.
Amos reached out to her to understand her actions, but she alleged that Abigail was jealous after seeing her dance with another girl.
He indicated that he was quite shocked since Afronitaa has said on a lot of platforms that she buys the things for her out of love and wondered why she would take them back when an issue arrises.
The move has raised questions about the nature of their mentorship and the circumstances surrounding their fallout.
The incident has sparked a wider conversation about the dynamics of mentorship and the boundaries that exist within such relationships.
The two made headlines in Ghana and abroad after getting the chance to be on the Britain’s Got Talent Platform.
Donning a stunning all-red two-piece outfit infused with traditional Ghanaian Kente fabric, Afronitaa, 20, and reality star Abigail, 7, delivered a mesmerizing routine that left the audience and judges in awe at the Britain’s Got Talent Show. Their high-energy performance showcased their exceptional talent, earning a standing ovation and praise from the crowd.
The duo performed a medley of popular hits, including “Azonto” by Fuse ODG, “Run The World” by Beyoncé, and “Gweta” by Toofan, among others. Their impressive performance propelled them to the finals, where they ultimately placed third. Despite not taking the top spot, Afronitaa and Abigail’s electrifying routine made headlines and solidified their place in the hearts of the audience.
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